dvLED for Virtual Production
On an LED volume the dvLED wall is the set, the light and the background at once. It has to hold color and detail perfectly, stay locked to the camera, and run at high frame rates without a scan line or a flicker in the shot.
What this room demands
Locked to the camera
Precise synchronization so there are no scan lines, no tearing and no surprises in the take.
Frame rate without losing bit depth
ERMAC processes at 26 bit internally, so frame rates up to 240 Hz do not cost color depth or shadow detail on the volume.
Right on camera, not only to the eye
What the sensor records is what counts, from color fidelity to moire behavior.
Reflections and spill are part of the shot
The volume lights the actor and the car. A color error on the dvLED wall lands on the paint and the skin in front of it and cannot be graded out later.
A volume that behaves the same, take after take
TRUE builds LED volumes from XF+ and XR panels driven by the ERMAC control system. Scan timing, frame rate and calibration are set in one system, so the sensor sees a clean, color true image at up to 240 Hz, and the same settings return take after take.
Up to 240 Hz
XF+ panels built for realtime capture, with a horizontal scan architecture suited to the camera.
Pantone validated, 26 bit
The ERMAC Color Space Engine holds color across brightness and across batches, so grading starts from a true source.
Fixed or rental
The XF+ series for permanent volumes, the XR series at 1.9 for touring and rental builds.
One calibrated system
Because we make both halves, the dvLED wall, the processing and the sync are tuned as a single system.
A volume the camera can trust.
Crew, camera and dvLED wall working as one system: stable color, clean scan behavior and precise synchronization keep every frame usable, from wide establishing shots to close ups.
Where it earns its place
LED volumes on TRUE dvLED run from permanent studios to touring builds. Camera true color comes from the Color Space Engine, clean scan behaviour from the ERMAC timing, and both hold at up to 240 Hz.
Measure it before you decide
The fastest way to judge a dvLED wall is to measure it. Book a visit to our Experience Center, or send us your space and we will size it.
Virtual Production questions
What frame rate does an LED volume need?
It depends on the camera and the shot, and TRUE supports frame rates up to 240 Hz so the dvLED wall keeps pace with high speed capture without scan lines.
How do you avoid moire and scan lines on camera?
A horizontal scan architecture, precise synchronization and end to end calibration keep the image clean for the sensor, not only for the eye.
Can the same panels serve rental and permanent volumes?
Yes. The XF+ series suits permanent volumes, and the XR series at 1.9 is built for touring and rental, both on the same ERMAC control system.